Shane Simpson, LL B (Hons) M. Jur.
Amongst many other appointments he has also been a member of the Cultural Grants Advisory Council of the New South Wales Ministry for the Arts, ministerial appointee to the Council of Sydney College of the Arts, chairman of Museums NSW , chairman of the NSW Film and Television Office, a director of the Music Council of Australia, the Crafts Council of Australia, the Australian Exhibitions Touring Agency, and several other organisations.
Shane has been an academic in the Faculty of Law of the University of New South Wales and was the founder and first Director of the Arts Law Centre of Australia. He has also been Visiting Professorial Fellow, Faculty of Law at the University of Wollongong, heading up the Centre for New Technologies Law and Management. Shane is on several university advisory committees including the International Advisory Board of the National Institute of Entertainment and Media Law at Southwestern University, California.
To contact Shane, please email him at
Master of Jurisprudence, 1975; Bachelor of Laws (Honours), 1973, University of Auckland
Solicitor of the Supreme Court of New South Wales, 1986 – ; Barrister of the Supreme Court of New South Wales, 1978–1986; Barrister and Solicitor of the Supreme Court of Victoria, 1976; Barrister of the High Court of New Zealand, 1973
Outstanding skills and experience in the fields of:
Board member
(The NZFC is New Zealand's national film funding agency)
Chairman (since 1991)
(The Trust provides a scholarship to composers permitting selected composers to live and compose in the former home of Glanville–Hicks.)
Chairman (since 2005)
(The Song Company is Australia’s premier a capella ensemble, internationally renowned for its performance of Early Music through to contemporary Australian works)
Trustee
Member of International Advisory Board (2001 – )
Chairman (since 2004)
Board member (since 2006)
(The Foundation, established by the Australian Writers’ Guild, supports professional development and promotion of writers and writing for performance.)
Board member (since 2006)
(This ARC funded project is a joint venture between University of Sydney, University of Technology, the City of Sydney, State Records NSW and the Historic Houses Trust to create an on–line resource that tells the story of Sydney.)
Chairman (1999 – 2005)
Appointee of the Premier of NSW
(The FTO is the statutory body responsible for providing funding investment and assistance to the film and television industry in NSW)
Member of Board of Directors (1998 – 2005)
(NAVA is the peak national body for Australian visual arts.)
Chairman (1999 – 2001)
Appointee of the Premier of NSW
(MGNSW is the peak service organisation for public museums and public galleries in NSW.)
Member of Executive Board (1998–2002)
(MCA is the peak national body for Australian music.)
Member of Board of Directors (1999 – 2004)
Appointee of the Australian Society of Authors
(CAL is the copyright collecting society responsible for administering statutory and voluntary licensing that enables the mechanical and digital reproduction of literary and artistic works in educational institutions, government, business and libraries.)
Chairman
(IPR was a start–up developing software to facilitate trading of IP rights and IP materials on–line.)
Trustee (1985 – 1999)
(The trust provides financial support to visual arts students attending university, who may not have sufficient funds to complete their studies.)
Trustee (1986 – 99)
(A philanthropic trust providing financial support to Australian professional visual artists who suffer illness accident or calamity).
Member of Board of Directors (1993 – 96)
(AETA was an agency funded by the Federal Government to tour art, craft and design, nationally and internationally.)
Board member (1992 – 97)
(ALCA is a national organisation providing legal assistance to the arts community.)
Member of Board of Directors (1988 – 1993)
(ACMI at University of New England was the first institution in Australia to provide degree courses in contemporary/popular music.)
Management Advisory Committee (1987– 89)
Member of Board of Directors (1989 – 92)
(CCA is the peak body for the crafts in Australia. Now called Craft Australia.)
Member of Council (appointment of the Premier) (1985 –1987)
Deputy Chairman of Council (1987)
Chairman of Community Arts Sub–committee (1985, 1986)
Chairman of Music Sub–committee (1987)
Member of Capital Grants, Music, and Visual Arts Sub–committees.
Member of Council (appointment of Minister of Education (1984 – 1987)
Chairperson of Rules and By–laws Committee
Member of Executive Committee
Chairman (1984 – 1987)
(Entr–acte was the only corporeal mime company in Australia)
Board member (1982 – 1983)
(ArtSpace is an artist run, government funded gallery with an extensive program of exhibitions, lectures, seminars and performances)
President (1983 – 1985)
(The Australian Rock Company was a government funded company promoting young musicians and live popular music to children too young to enter licensed venues).
Member of Music Department Advisory Panel (1993 – 7)
Member of the Visiting Committee, School of Information Technology and Computer Science (2001 – 2004)
NSW Law Society
American Bar Association
International Bar Association
Australian Society of Authors
Copyright Society of Australia
Society for Computers and the Law
Museums Australia
The Visual Artist and the Law in Australia, Law Book Co., 1982
Discovery and Interrogatories, Butterworths, 1984 (with Bailey & Evans)
Music – The Business and the Law, The Law Book Company, 1986, (edited with G. Stevens)
Museums and Galleries – A Legal Primer, Museums Association of Australia and Redfern Centre Publishing, 1989
The Visual Artist and the Law in Australia (2nd edition), Law Book Co., 1989
Discovery and Interrogatories (2nd edition), Butterworths, 1990
Review of Australian Copyright Collecting Societies, Australian Government Publishing Service,1995
Music Business (3rd edition), Omnibus Press, 2006
Legal Issues In Public Collecting Institutions (to be published by the Collections Council of Australia)
Review of Australian Copyright Collecting Societies, a report to the Minister of Communication and the Arts and the Minister for Justice, Government of Australia, 1995
Report As To The Establishment Of A “Centre For New Technologies”, Law And Management, a report to the Law Foundation of New South Wales and the Meat Research Corporation, 1993
Camilleri’s High Court and Federal Court Practice (Butterworths, Assistant Editor, 1979 – 1980 (3 volumes)
Music, In An Interactive On–line World, Music Industry Intelligence Report, editor M. Alderson, Prospect Publishing, 1999
Music, Copyright and New Technologies, Music Industry Intelligence Report, editor M. Alderson, Prospect Publishing, 1999
Maoris and the Law, Law for the People, editors S. Ross and M. Weinberg., (Penguin Books), 1976, (with P. Burgess)
Discovery and Interrogatories in the High Court, High Court and Federal Court Practice, (CCH), 1979
What’s Left of Artist’s Rights?, Australian Art Revue, ed. L. Paroissien, Warner Publications, (July, 1982).
The Characterisation of One’s Own Witnesses: for the Purpose of their Impeachment (1976) 50 Australian Law Journal 410.
Discovery before Commencement of the Action: (The Modern Action for Discovery) (1980) 4 UNSWLJ. 415 (with M. Orlov).
Fakes, Forgeries and Fees: the authentication of fine art, Australian Law Journal, (1988) Vol. 62 No. 10, Page 796; Vol. 62, No. 8 p 626
Merchandising and the Protection of Celebrity, Australian Law Journal, (1988) Vol. 62 No. 8 p 624,
Film Assistance Changes, Australian Law Journal, (1988)
Home Audio Taping Legalised and Protection of Performers and their Performances, Australian Law Journal, (1989) Vol. 63 No. 2 p 111
The Price of Fame Revisited, Australian Law Journal, (1989) Vol. 63 No. 4 p 281
Two Aspects of Sampling in the Music Industry, Australian Law Journal, (1989) Vol. 63 No. 11 p 771
Disputed Identification Evidence (1976) ACL DT 270
Limitation Periods: Public Authorities (1977) ACL DT 235
Workers Compensation and Limitation Periods (1977) ACL DT 279
Evidence Amendment Act (1979) (1977) ACL 87
Calls (1981) ACL DT 270
Moving Towards Copyright Control On The Internet, Media and Arts Law Review, vol 1, December 1996, no. 4, p 198
Droit de suite: The Artists’ Royalty, (1982) 6 Copyright Reporter 6
Work of Art or Indecent Matter, (June 1982), Legal Services Bulletin 148, (with N. Raeburn)
Legal Centre for the Visual Arts, (1982) 7 Art Network 59
Crafts and the Law, (1983) 152 Craft NSW 10
Starting in the Crafts – a Legal View, (1984) Craft Australia Autumn 1984/1 44.
Gallery Contracts, (1982) 6 Art Network 60.
The Loan of Artworks for Public Exhibition, (1983) 11 Art Network 27 Reprinted in Artists Newsletters (UK) May, 1984 24
Model Loan Agreement for Art Museums, Museums Australia December 1984 39.
Effect of Moral Rights on Conservators, Institute for the Conservation of Cultural Material, published conference papers, 1985
Contracts: Ego or Career Boost?, Musicians’ Union Band Guide (edited Les Wicks), Musicians Union of Australia, 14. Reproduced in "One More Time" September 1985 34.
Current Legal Issues in Australian Museums, Museums Australia 1986, 20.
Caveat Emptor: International Protection for Cultural Material, Art Monthly (Aust. and International) June 1987 No. 1
Mirror Mirror on the Wall: Museum Ethics, Art Monthly (Aust. & International) August 1987 No. 3
Sponsorship, Art Monthly (Aust. and International), November 1987
Copyright v Contemporary Art Practice, Art Monthly (Aust. and International) March 1988, No. 8
Snitched! the Immorality of Not Getting Classified, Art Monthly (Aust. and International) July 1988, No. 12
Professionalising Boards of Managements of Museums, Museum News December 1989 – January 1990 p11; February – March 1990 p8
Moving Towards Copyright Control on the Internet, Music Forum; vol. 3; no.3 p 22
You and the Internet, 2004 Music Forum; vol. 4; no.3 p 18
Arts and the Law, A series of six radio lectures presented for the Centre for Continuing Education, University of Sydney (1983)
Business and Law in the Music Industry, A prize winning series of ten one hour lectures, produced by Northern Rivers CAE/University of New England and broadcast nationally and available on cassette
Contracts For Licit International Sale Of Art And Antiquities, International Bar Association Annual Conference; Committee on Art, Cultural Institutions and Heritage Law, Auckland, New Zealand
Recording Agreements, Masters class, Faculty of Law, University of NSW
Legalities and Realities, a series of music industry seminars presented in Sydney, Adelaide, Melbourne, Brisbane and Auckland
Recording Agreements, Masters class, Faculty of Law, University of NSW
Practical Implications of Moral Rights Legislation, Biennial Copyright Symposium, New Rights–New Obligations–New Relationships, Australian Copyright Council, Centre For Copyright Studies & Copyright Society of Australia, Sydney
Legal Issues in Managing Regional Museums and Galleries, Cowra Regional Gallery, Cowra NSW
Getting Overseas Success, Arts Law Referral Service, Melbourne
Copyright Ownership: The Balance Of Freedom And Protection In The Process Of Change, IES Conferences, Sydney
Findings of the Visual Arts Industry Enquiry, A Fairer Deal, Visual Arts Industry Guidelines Research Project, National Gallery of Australia, Canberra
Recording Agreements, Masters class, Faculty of Law, University of NSW
Copyright Ownership – Understanding the Extent of Freedom and Protection, Intellectual Property and Commercialisation, IES Conferences, Sydney
University of Western Sydney (Nepean), three day Professional Practice course in School of Contemporary Arts – Music
The Digital Agenda Bill, College of Law, Continuing Legal Education, Sydney
Implications of GST on the Arts & Entertainment Industries, Managing Legal and Financial Risk During the Transition To The GST, IIR Conferences, Sydney & Melbourne
Chair, two–day National Forum of State Youth Orchestras
Chair, two–day National Forum of Jazz Co–ordinators
Digitisation Of Museum Collections – A Management Issue, Australia Registrars Committee, Museums Australia, Sydney
Name And Reputation In The Fourth Dimension – Trademarks In Cyberspace, Cyberlaw Conference, Sydney
Propagate Forum – co–chair (First national forum to facilitate international on–line trading in intellectual property)
University of Western Sydney (Nepean), three day Professional Practice course in School of Contemporary Arts – Music
The Art Of Deal–making, National Entertainment Industry Conference, Sydney
Entertainment Law – Advanced, Screen Producers’ Association of Australia, Sydney
The Effect of the Internet on the Arts and Copyright Industries, Sydney Arts Management Advisory Group, Sydney
When Too Much Is Barely Enough – Multimedia, Interactivity And Sport, 7th Annual Conference, Australian and New Zealand Sports Law Association, Newcastle
University of Western Sydney (Nepean), three day Professional Practice course in School of Contemporary Arts – Music
Managing Risks In The Global Information Infrastructure: Corporate Information – Confidential Asset Or Leveraged Resource, Joint Australian Government/OECD conference; Security, Privacy & Intellectual Property In The GII; Parliament House, Canberra
Role of Copyright in the Present and Future of Copyright, Strategic Information & IT Unit, Public Sector Management Office, Ministry of The Premier and Cabinet, Perth
Government Service Delivery In Cyber–world: Practical Risk Management, Strategic Information & IT Unit, Public Sector Management Office, Ministry of The Premier and Cabinet, Perth
WALIS Forum Lecture, Corporate Information – Confidential Asset Or Leveraged Resource, WALIS Annual Proceedings, Burswood Conference Centre, Perth
Effects Of New Technologies On Copyright–Based Income, International Council of Concert Agents, Sydney
Moving Towards Copyright Control On The Internet, 3rd Assembly, Music Council of Australia, Canberra
Liability And Security Risk Management In New IT Environments, Information Technology Dependency, The Risks, The Costs, & Their Management, The National Risk Management Education Centre, Sydney
The Virtualisation Of Objects, Australia Registrars Committee, Museums Australia, Sydney
Issues Affecting Convergence, Multimedia and Copyright Reform, New Technologies, New Challenges Conference, Faculty of Law, University of Wollongong, Wollongong
Multimedia And The Hunger For Rights, LAWASIA Intellectual Property Conference, Adelaide
Complaints Mechanisms And The Collective Administration Of Copyright, The Copyright Tribunal Conference, Commonwealth Attorney General’s Department, Copyright Society of Australia, Australian Copyright Council, Sydney
Expanding The Copyright Tribunal’s Jurisdiction, The Copyright Tribunal Conference, Commonwealth Attorney General’s Department, Copyright Society of Australia, Australian Copyright Council, Sydney
Review Of Australian Copyright Collecting Societies, Launch of Report, Attorney General’s Dept., State Library of NSW
Major Legal Challenges From The New World of Broadband Services, Delivering The Digital Future: Radio 2000, ABC Conference, Sydney
Copyright And Competition Law, And The Position Of Collecting Societies, Copyright Society Of Australia, Sydney
Building Firewalls To Limit Your Company’s Liability On The Internet, Internet World 95 [Australia Asia Pacific], Mecklermedia, Sydney
Investments And Technology – Issues For The Future, Institute For Fiduciary Education Australasia, Sydney
New Technology And Music: Evolution To Revolution, Reaching Youth Through Music, Office of Government Information and Advertising, Department of Administrative Services (Clth), National Convention Centre, Canberra
Copyright Collecting Societies, Music Managers Forum, Powerhouse Museum, Sydney
Film Production and Investment Agreements, Australian Film Commission, Sydney
Music Management, Ausmusic Master class, Sydney
Multimedia and the Law, chairman, Arts Law Centre of Australia, Powerhouse Museum, Sydney
Theatre Law Master Class, Newcastle University, Department of Drama, Newcastle
The Business Of Country Music, Country Music Association, Tamworth
Museum Law Workshop, Museums Association of the Central West, Forbes
Stiff as a board: Company Boards In Rigor Mortis, Fundraising Institute of Australia, Melbourne
Museum Copyright, Museums Association (Victorian Branch), Melbourne
Negotiating Your Rights, APRA/Australian Guild of Screen Composers, seminar (key–note speaker), Sydney
Professional Practice and Ethics, Regional Galleries Association of New South Wales, Newcastle
Legal Aspects Of Touring Exhibitions, Museums Association (Victorian Branch), Melbourne
Train the Trainers, Arts Law Centre of Queensland, seminar, Brisbane
Theatre Law Master Class, Newcastle University, Department of Drama, Newcastle
Working Together – The Artist The Gallery And Local Government, Regional Galleries Assoc. of NSW and Regional Galleries Assoc. of Queensland
Accessioning and Deaccessioning, Museums Association of Victoria, Melbourne
Deaccessioning and Disposal – Practice and Procedure, Museums Association of Victoria, Melbourne, Museums and Legal Issues Seminar, Melbourne
The Use of Artworks in Book Publishing, Australian Book Publishers Association, Artwork Law Seminar, , Sydney and Melbourne
Theatre Law Master Class, Newcastle University, Department of Drama, Newcastle
Recent Developments in Management, The Music.The Media. The Market, Music Industry Conference, Sydney
Tax Responsibilities and Traps, Association of Theatrical Agents and Employers, Law Foundation of New South Wales, Legal Education Colloquium, Employers’ Representative, Sydney
Music and Copyright, Ausmusic, Master class Series, Sydney
Legal Issues In Collection Management, Collection Research Seminar, Powerhouse Museum, Sydney
Roles, Rights and Responsibilities of Boards of Arts Organisations, Crafts Council of Australia and the National Arts Industry Training Council, (a national seminar for senior visual arts and crafts administrators and board members)
Insurance Problems in Museums, Arts Public Gallery and Museum Services Unit, Victorian Ministry for the Arts, professional development seminar
Survival Tactics: Contract and Copyright, Australian Graphic Designers Association, Sydney
Exploiting Copyright in the Music Industry, Ausmusic’s "Spring Master class Series", Sydney
Professionalising the Museums Community, Museum Studies Symposium, Victoria College, Melbourne
Museum of Ethics – Conflicts of Interest, Confederation of Australian Museums Association, annual conference, Art Gallery of Queensland, Brisbane
Performing Arts and the Law, National Seminar For Senior Performing Arts Administrators, Opera House, Sydney
Performance Collectives, Arts Law Centre Annual Conference, Sydney
NSW Institute of Technology, Faculty of Law; Nepean College of Advanced Education; University of New South Wales, Faculty of Law
Australian ’85 Conference, Melbourne
Rock ’n Roll and the Law, Youth Wave Festival, Bondi Pavilion, Sydney
Arts Action Conference, Newcastle
Professional Standards and Requirements of Code of Ethics, Institute for Conservation of Cultural Material, Canberra
The Laws of Oral History, Australian Oral History Conference, University of Melbourne
The Forum Lecture, Hobart
Visual Arts Law and the Librarian, Gallery of New South Wales, Sydney
Arts Law and Professional Practice, Institute of Modern Art, Brisbane
Professional Practice in the Crafts, Crafts Council of Queensland, Brisbane
National Management Course for Senior Arts Executives, Australia Council, Sydney
Rock ’n Roll and the Law, Canberra Youth Arts Festival
Artlaw, Confederation of Australian Art Associations, Sydney
Law For Arts Managers, Arts Administration Course, New South Wales Technical Institute
Sydney College of the Arts; New South Wales Institute of Technology; University of Tasmania, Faculty of Law; University of Tasmania, School of Art; Randwick Technical College; Brisbane College of Advanced Education; University of New South Wales, Faculty of Law.
Crafts Law and Practice, Presenting Metal 1984, Jewellers and Metalsmiths Australia, Melbourne
The Need For Contracts Between Gallery And Artist, Commercial Galleries Association, Sydney
Legal Aspects of Community Arts and Drama, Applied Management in the Arts Conference, Arts Council of Australia administrator training courses, Sydney
The Effect of Moral Rights on Art Conservation, Institute for the Conservation of Cultural Material, Sydney
Chairman, The Music Industry Conference – co–hosted by the New South Wales Law Society, the Victorian Ministry for the Arts, Law Institute of Victoria
Moral Rights and Visual Artists, Arts Council of Australian Capital Territory
Moral Rights and Visual Artists, Arts Law Centre seminar, Sydney
The Forum Lecture, University of Tasmania, Hobart
Law For Arts Managers, Arts Research Training and Support Limited, Sydney
Law For Arts Managers, Arts Council of Australia, Sydney
University of Tasmania; Sydney College of the Arts; New South Wales Institute of Technology; City Art Institute.
Law For Arts Managers, Arts Council of Australia, Sydney
Visual Arts and the Law, public lecture, Experimental Art Foundation, Adelaide
Visual Arts and the Law, public lecture, Praxis, Perth
Classical Music and the Law, Australian Music Centre, Sydney
Law For Arts Managers, Art Research Training and Support Limited management courses, Sydney
Commissioning Craft, Parliament House Authority, Canberra
Law and Professional Art Practice, Institute of Modern Art, Brisbane
Legal Services For Australian Artists, Victoria Ministry for the Arts, Melbourne
Legal Issues And Services For Crafts Practitioners, Crafts Convention: Crafts The Country and the City, Crafts Council of Australia, Sydney
Macquarie University; University of Tasmania; Chisholm Institute, Melbourne; Sydney College of the Arts; East Sydney Technical College; Canberra School of Art; Meadowbank Technical College; University of Queensland; Power Institute – University of Sydney; Newcastle CAE; City Art Institute; Gymea College of TAFE; St. George College of TAFE
Commissioning Public Art, Tasmanian Arts Advisory Board, Hobart
Law and the Arts, Art Practice and Society Conference, PRAXIS, Perth
The Law and Professional Art Practice, Art Workers Union, Melbourne
The Need For Lawyers In The Arts, Law Institute of Victoria, Melbourne
Artlaw, Ministry for the Arts, Victoria, Melbourne
An Artlaw Centre For Australia, Visual Arts Board, Australia Council
Arts and the Law Conference, Organiser and Chairman, the first conference on the subject in Australia, Art Gallery of New South Wales, Sydney
University of Tasmania; University of South Australia; Sydney College of the Arts; City Art Institute.